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Saturday 31 March 2012

Film Review: 21 Jump Street

I've made it to late March and 21 Jump Street has to be first remake/adaptation of 2012 that I've watched. Shocking, isn't it? With the endless foreign film/comic/book adaptations that pollute Hollywood these days, you really have to count yourself lucky if you manage to catch something that's original and good, as opposed to re-makes - which tend to be regurgitated crap (and usually have nothing on the original). 21 Jump Street seems to have bypassed this rule.

The film centres around two cops, once polar opposites back in their school days but are now thick as thieves today. Problem is they have a hard time properly busting thieves along with all the other bad guys. As a result of their combined incompetence, they're sent to take part in the 21 Jump Street program - going undercover as school students to bust the supply system of a new drug that is blighting local schools.

A verbal gaffe in the principal's office results in them adopting the wrong undercover identities. Morton Schmidt (Jonah Hill), the awkward outcast as a teen, is now supposed to be the cool kid. Greg Jenko (Channing Tatum), the former prom king, is now the unlikely science geek (much to his chemistry teacher's delight).

The reboot of the Police Academy franchise looks promising...

I don't imagine Hill being particularly popular at school (therefore embracing the cool kid life with arms wide open) nor do I imagine Tatum being anything but the school jock at his (hence his frustration at actually having to concentrate in class seems genuine) . It doesn't matter though because the chemistry between the two is what makes this film tick. I lamented in my review of This Means War that Chris Pine and Tom Hardy make and unlikely pair. In 21 Jump Street, Hill and Tatum are effortlessly the dynamic duo.

I do worry for Dave Franco however. Not only does he have older brother James to contend with for film roles, but it seems that already he's being typecast as the high school twat (played one in Fright Night). Maybe being a douche just comes easy to the Franco boys?

Toilet humour is abound in this film (one scene does indeed feature an actual toilet!). The film tag line itself is "The only thing getting blown tonight is their cover". Smooth. Yet the depraved humour that runs predominately throughout is the film is what makes it such a hit. I almost had tears coming out of my eyes when the undercover brothers take the drug in question, resulting in undeniably hilarious consequences.

I've not seen the original mostly because I'm currently on the right side of 30. So I can't compare. Even if I had though, I wouldn't. This is a film that represents the current generation living the social networking era, where trends last as long as Kim Kardashian's marriage. Whilst the trends of today might alieniate the majority of the population, this is a film that all of mankind can relate to - old and new.

2 comments:

Dan O. said...

Hill and Tatum are great together here and add a lot to this film’s comedy but it’s just the way it is all written that makes it even richer. It’s making fun of those high school comedy conventions but at the same time, is inventing it’s own as it goes on. Great review.

Surekha said...

I completely agree with you Dan O, it's the fantastic script that really binds it all together.

I see that you also review films too (quite extensively it seems!), thanks for taking the time to read and comment on mine!

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